Andrew Tkachuk


After the Storm: Sunset Captured with Pentacon 50mm f/1.8

It was a rather cold and rainy June Tuesday when we were enjoying our forced COVID-19 vacation chilling in a village and enjoying country life when the summer day skies showed us this dramatic and almost epic battle where the sun was slowly losing its battle with heavy overcast skies until eventually heavy rain ruled it the winner… and then something awesome happened…

Sunlit green meadow with tire tracks under a dramatic post-storm cloudy sky
Prakticar 50mm f/1.8, Fujifilm X-E2S

We all know (at least those who live in a continental climate) that once in a while, a combination of effects can bring about some truly dramatic light - when after a heavy rain you have that atmospheric cleansing where all the dust and fog go away, plus there are still heavy clouds above you but a gap on the horizon where the sun is setting, you get undercast illumination combined with the golden hour’s dramatic yellow light, plus some areas are still not dried out entirely and you have this barely visible high humidity ‘Glow’ where these tiny, clean water droplets can create a subtle ‘rain spray’ (nimbus effect?) around high-contrast edges… but capturing it is not as simple as it seems, especially with all those full-auto modern cameras flattening images unless they are later post-processed (and amongst all the procedures, this one is one of my two most hated, right along with scanning photo negatives, hehe).

So as soon as the grass dried out, I made a choice - and put my good old beloved Pentacon Prakticar 50mm f/1.8 on the X-E2S. This lens has its “flaws”, but that’s exactly why I decided to use it to try to catch that unique atmosphere right away. And even though the camera did not capture it all, yet it worked for me - I still get that eerie feeling when looking at those photos and almost feeling that post-storm breeze on my face…

Muddy dirt road alongside a chain-link fence and scattered tires in a rural landscape
Prakticar 50mm f/1.8, Fujifilm X-E2S

I’d say this second photo is my favourite from the whole set - at the time it was taken I still had no idea what this fencing was in the middle of the field besides the other private houses and yards, and only after a while I figured out that this was a tiny piece of land bought by Syrian refugees who later put a tiny container-type house for their whole family… which seemed so odd at that time because all the wars felt to be so far away and we had not even the slightest idea what major life changes were waiting for us in our future or that one day we ourselves would become refugees who would flee from a war zone. But at the time the photos were taken, it was a simple quiet life.

Narrow irrigation canal with tall green reeds reflecting a cloudy blue sky
Technical channel of a legacy Soviet irrigation system still used today to deliver water from the artificial lakes cascade to the irrigated farmlands and then into the Irpin river. For me, this channel is one of those touchstones - one of the few places imprinted in my memory since childhood, with all the changes over decades
Flooded agricultural field reflecting dramatic storm clouds and golden sunlight
No, this is not a pond, but a huge pool in the middle of the field - a beautiful scene for a photo and a headache for farmers with crops now rotting under the water. A reminder that nature always outranks our technologies, all our plans - a simple rain still puts us in our place

And, of course, we would not be us if our whole family did not go out to observe this miracle of nature. Fun is always even more fun if you have your family to enjoy everything together with you.

Close-up of a woman photographing a green meadow
My beloved wife, snapping a gazillion smartphone photos
Young man in a beanie using a Canon DSLR
Son taking photos with Canon 500D + EF-S 18-55mm STM